FRGL, by LogarDecay

FRGL

by LogarDecay

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1.	Bare 02:53	buy track
2.	Restless 03:37	buy track
3.	Things to forget 08:43	buy track
4.	To be kind 06:38	buy track
5.	Remembrance 04:31	buy track
6.	Fragmented 04:54	buy track

about

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Leslie García and Paloma López (Mexico City) have been working for several years around the intersection of music, art-installation and science, with sound being the primary objective of their analysis, acting their roles as composers/creators and observers of the physical phenomenon. Their work ranges from experiments with bioelectrical sounds created by living organisms like bacteria and plants, to the use of custom-made sets of hardware they call ontological machines. They usually operate within their own platform Interspecifics, and FRGL is their second release under the moniker: LogarDecay. The sounds contained in FRGL might be their more musical work to date. It is not far from sound art, yet the bright accidents coming out of their improvisations seem to exist in the limits between harmony, rhythm and pure noise as a construction. Its tension sometimes soothes, sometimes mutates into a state between drone, ambient and abstract techno. FRGL is an exercise in transparency that does not seek to hide their errors but to maximize them and turn them into an aesthetic statement.

credits

released March 16, 2018

Recorded and produced during 2017 and early 2018 between Santiago de Chile, Madrid and Mexico City. Using processes ranging from analog synthesis with DIY synthesizers, programming of rhythms with Supercollider, programming of digital drones in PureData and other virtual tools. Composition instruments and mix by LogarDecay: Leslie García & Paloma López

Mastered by Dino Spiluttini in Vienna

Design & photo by Daniel Castrejon

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Umor Rex Mexico City, Mexico

Physical items are shipped from Berlin.

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