BFHC
by Lina Filipovich
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
$7.50 USD or more
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Full Digital Discography
Get all 94 Umor Rex releases available on Bandcamp and save 50%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Moments at the Re-engage, Pruebas de Existencia, The Dualistic Principle, Zero Mambo, BFHC, Harmonies from Betelgeuse, Visions, Four Steps, and 86 more.
Purchasable with gift card$349.40 USD or more (50% OFF)
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G. F. Handel - Sarabande
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N. Carleton - A Verse
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about
Cassette LTD available in our site
www.umor-rex.com
Umor Rex UR140
—
In her second album (first one in Umor Rex), the Minsk born / Paris based artist Lina Filipovich continues her experiments on deconstruction and re-appropriation of classical pieces. BFHC includes seven electronic interpretations of the works of Baroque composers such as Bach, Handel, Frescobaldi, Carleton and Couperin. Inspired by memories of her experience of interpreting Bach’s pieces in early childhood, Filipovich explores the desire to push the limits of performing classical music in the traditional way. Her baroque compositions are manipulated, modified, transformed into loops, cut, slowed down and recycled like any content could be, becoming a raw material for new compositions accompanied by electronic sequences, rhythms and basslines. Through the recycling, sampling and reassembly, Lina creates new listening experiences. And if BFHC can be interpreted as a tribute to baroque music, it can also be understood as a call to action to the work of contemporary artists like Oval, and to all the boom of clicks and cuts at the beginning of this millennium.
www.umor-rex.com
Umor Rex UR140
—
In her second album (first one in Umor Rex), the Minsk born / Paris based artist Lina Filipovich continues her experiments on deconstruction and re-appropriation of classical pieces. BFHC includes seven electronic interpretations of the works of Baroque composers such as Bach, Handel, Frescobaldi, Carleton and Couperin. Inspired by memories of her experience of interpreting Bach’s pieces in early childhood, Filipovich explores the desire to push the limits of performing classical music in the traditional way. Her baroque compositions are manipulated, modified, transformed into loops, cut, slowed down and recycled like any content could be, becoming a raw material for new compositions accompanied by electronic sequences, rhythms and basslines. Through the recycling, sampling and reassembly, Lina creates new listening experiences. And if BFHC can be interpreted as a tribute to baroque music, it can also be understood as a call to action to the work of contemporary artists like Oval, and to all the boom of clicks and cuts at the beginning of this millennium.
credits
released July 14, 2022
Composed/recycled by Lina Filipovich
Mixed by Lina Filipovich and Leonid Diaghilev
Mastered by Rafael Anton Irisarri
Artwork by Daniel Castrejón
Composed/recycled by Lina Filipovich
Mixed by Lina Filipovich and Leonid Diaghilev
Mastered by Rafael Anton Irisarri
Artwork by Daniel Castrejón
license
all rights reserved
tags
discography
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Jun 2023 -
Apr 2023 -
Nov 2022 -
Sep 2022
contact / help
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